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Hito Steyerl Politics of Art: Contemporary Art and the Transition to Post-Democracy A standard way of relating politics to art assumes that art represents political issues in one way or another.
But there is a much more interesting perspective: Amongst all other forms of art, fine art has been most closely linked to post-Fordist speculation, with bling, boom, and bust.
Contemporary art is no unworldly discipline nestled away in some remote ivory tower. On the contrary, it is squarely placed in the neoliberal thick of things.
We cannot dissociate the hype around contemporary art from the shock policies used to defibrillate slowing economies. Such hype embodies the affective dimension of global economies tied to ponzi schemes, credit addiction, and bygone bull markets.
Contemporary art is a brand name without a brand, ready to be slapped onto almost anything, a quick face-lift touting the new creative imperative for places in need of an extreme makeover, the suspense of gambling combined with the stern pleasures of upper-class boarding school education, a licensed playground for a world confused and collapsed by dizzying deregulation.
If contemporary art is the answer, the question is: How can capitalism be made more beautiful? But contemporary art is not only about beauty. It is also about function. What is the function of art within disaster capitalism?
Contemporary art feeds on the crumbs of a massive and widespread redistribution of wealth from the poor to the rich, conducted by means of an ongoing class struggle from above.
Additionally, its reach has grown much more decentralized—important hubs of art are no longer only located in the Western metropolis. Today, deconstructivist contemporary art museums pop up in any self-respecting autocracy.
A country with human rights violations? Bring on the Gehry gallery! The Global Guggenheim is a cultural refinery for a set of post-democratic oligarchies, as are the countless international biennials tasked with upgrading and reeducating the surplus population.
Contemporary art thus not only reflects, but actively intervenes in the transition towards a new post-Cold War world order. It is a major player in unevenly advancing semiocapitalism wherever T-Mobile plants its flag. It is involved in mining for raw materials for dual-core processors.
It pollutes, gentrifies, and ravishes. It seduces and consumes, then suddenly walks off, breaking your heart. From the deserts of Mongolia to the high plains of Peru, contemporary art is everywhere.
And when it is finally dragged into Gagosian dripping from head to toe with blood and dirt, it triggers off rounds and rounds of rapturous applause. Frank Gehry wedding ring. Why and for whom is contemporary art so attractive?
It seems unpredictable, unaccountable, brilliant, mercurial, moody, guided by inspiration and genius. Just as any oligarch aspiring to dictatorship might want to see himself.
Post-democratic government is very much related to this erratic type of male-genius-artist behavior. It is opaque, corrupt, and completely unaccountable.Nov 20, · It is a truism that America has become a more diverse country.
It is also a beautiful thing to watch. Visitors from other countries, particularly those having trouble incorporating different. An essay on interdisciplinary themes of space, art and gender. It will demonstrate how human geography engages with visual art, and how the Published: Thu, 14 Jun We will write a custom essay sample on History: Politics of the Renaissance Essay specifically for you for only $ $/page.
Order now She was a dedicated patron of the arts. She made Mantra a center of learning and art.
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Arts and Politics Essay Public Forensic Laboratory Budget Issues is an article written by Perry Michael Koussiafes, a crime Laboratory Assistant at the Bureau of Forensic and Explosive Analysis in Havana, Florida - Arts and Politics Essay introduction.
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